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More about “Streetlight Gospel Choir”:
“Streetlight was one of the songs that has been with me for quite a while but never really came together until we got in a room together in late 2019. If you are out too late and left to your own devices to find your way home, sometimes the only light you can see is what’s right above you. Streetlights guiding you home, taking you back to what matters most and pulling you out of the darkness. That is kind of the visual of the song - and obviously coming back to face whatever you left behind at the beginning of the night.”
- Dave Mueller

MORE ABOUT HURON LINES:

As anyone who’s gazed northbound down the barren downtown strip of Ouellette Avenue knows, the presence of Detroit looms large across Windsor, Ontario.

For the inhabitants of Canada’s most southern city, Detroit’s crumbling art deco skyline has become a symbol of identity and pride, as Windsorites are fed a steady diet of culture as local television, and terrestrial, public, and college radio are broadcasted across the emerald Detroit River, visual artists share residency across the border, and sports and culture events are merely separated by a short trip through the Windsor/Detroit tunnel.

For the four members of HURON LINES, Detroit has always been an integral part of their sound, aesthetic, and their anything-goes approach to making music.

LOST AT THE BORDER, the debut album from HURON LINES is a direct result of the eclectic and adventurous nature of the scene they grew up with. Across eight tracks and 30 minutes, vocalist/guitarist Dave Mueller’s beautifully dusty delivery shapes the powerful but yearning “Lost in Sarnia”, while bassist RJ Brando helps give “Lonely Lover” an anthemic feel due to his soaring backup vocals. Guitarist Grainger Harris and Drummer Nick Mitchell keep the angular twin guitar attack moving forward, adding lush leads on top of a gutteral groove-filled backbeat.

LOST AT THE BORDER shows the quartet releasing the best music of their respective musical careers—pulling gracefully and forcefully from post-punk, shoegaze, garage rock, and even sludge metal, all the while leaving the listener with something that could only have be birthed amongst the shadows of the Motor City.